The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).
Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?
With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.
源自:https://iffr.com/en/iffr/2023/films/endless-borders
揉杂现实议题的《唯一的家园》悬疑变奏,但剧作上的关键部分有点缺乏力度,影像表达上也没啥想法,也许换成拉索罗夫来拍,可看性会大增?
“男人的声誉、荣耀”,荣耀在哪里我请问。地貌拍得特别美,人民苦不堪言。有时候都忘记了阿富汗迫害女性有多厉害,难民有多少,难以相信这样的事件仍在不断地发生。3.5
好久没有看到这么爽的伊朗片了。
平庸的异质社会秩序与价值冲突故事 打稻草人真是个自以为聪明但实则反讽的设计 哈扎拉/普什图/俾路支…如果比的只是投诚的速度 那太无趣了点
剧本还是不错的,紧凑刺激,不长的篇幅展现阿富汗、伊朗的大局势下普通人的艰辛旅程,至少没有刻意卖惨,认真写剧本就值得表扬。
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