Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
献给于佩尔的电影,说了好几遍的爱。倒是想听听于佩尔聊施罗特,苏菲聊祖拉斯基。
[自译中字]入围戛纳导演双周单元,世界上另一个我,雨蓓一人分饰失散异国的姊妹,似真亦幻,百合,共生,虚无,疯癫,配乐特别出众,收尾处雨蓓唱的歌特别好听伴随高潮涌来,看到献给雨蓓,不禁泪目,施罗德对她是真爱无疑,
遥远的相似性。
雨蓓的平行宇宙。。。想舔舐她每一条皱纹。。。
施罗德和于佩合作的电影 我都会满分 他很能捕捉到于佩的美 可惜两人合作不多 但部部精品
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