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情节蓝本
Marie and Michelle are escaping from a lunatic asylum. Michelle is a tough girl who knows how to survive on the road, but the extremely shy Marie desperately clings to her until Michelle gives in and promises help. The two get into a lot of trouble which puts their friendship to a test.
Rollin's lost movie, and lost for a good reason, as the director told in several interviews (one on the British DVD, for example): it was simply so poor no distributor bought it. The director blames this mostly on the scriptwriter. The producer had hired someone to keep the director from continuing with his usual vampire mystery stuff, and that kind of co-operation against each other couldn't work. However, "The Escapees" has enough magic moments to be worth watching. Especially when people stop talking such as in the ending, or when Marie skates on the ice, imagining she is admired by a crowd, but only Michelle is secretly watching her.
观众心声
碧姬莱尔现代装太出戏 下一秒就像要脱衣服 标志性码头 雾 fin
两个女孩的感情，最后一定要大开杀戒才够法国。开场女主之一在草地上的摇椅里背着阳光发呆，真是美。剩下的情感能传到我这儿的就很有限了。
如同早一年拍摄的《黑夜追击》，让洛林在《逃亡者》中再次将取景器所对准的区域从他标志性的衰败城堡转向具有现代性意义的“塔蒂空间”。目前为止最喜欢的碧姬莱尔客串。
让洛林的一贯剧情，自闭女孩的那段冰舞很美
让·洛林不拍吸血鬼和邪教，改拍女性主义的“在路上”故事了。两个精神病院的女孩出逃，路遇认识船员的扒手女，于是寄希望于通往自由的航行。有几个单镜头处理的很洛林：开场草坪上的摇椅和女孩，没来由的一段冰上独舞（溜的挺专业）。回过头来看，洛林的风格基本还是铅黄电影的电光幻影B级味，电影后半段非常拖沓，在一种类似美国色情片的氛围里，一场场的拍各种聚会、聊天，我知道这段是强化女性对自由乌托邦的憧憬，但具体的台词写的乱七八糟（洛林自己也吐槽这个编剧压根不会写剧本），不过倒是还有些露点可看。片尾是意料中的悲剧收场，这点跟后来的《流浪女》等等名片都一脉相承
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