玩偶19686.0
类型：剧情,爱情 其它 1968
主演：马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw Dewoyno,卢德维克·伯努瓦,克雷斯蒂娜.费尔德曼,Aleksander Fogiel,Andrzej H
导演：沃伊切赫·哈斯
播放地址
内容大要
The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
Plot:
As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
观众心声
哈斯意识流的潜入意识深处作品会更有魅力
今天路过一建筑垃圾堆，歪倒的柜子上躺着一只安逸的胖猫，逗了一会猫没理我，正想转身的时候，突然想到了《玩偶》开场的废墟长镜头，女人坐在古董堆积成废墟里，对着镜子，泰然自若，正如这只猫一般，在那一瞬，我仿佛明白了导演想表达的东西。19-10-29更新
終於在很多年後的一天，他們兩個人在命運的安排下有機會住在了同一間旅館的隔壁，只是故事中的二人相遇了，現實裡的人卻沒能。只有他為他哭。可他只是看到了他一眼，聲音都沒能發出來倒地離去。
为伊消得人憔悴，梦醒无痕情难安，只因心中有理想，举重若轻为哪般。
大刀阔斧的改编完全摆脱了原作里萦绕的玩偶意象，也同样抛弃了在巴黎意识流般的哲学思索，因此让沃库尔斯基的绝望变得有些诡异。但综合来说，依然是对普鲁斯原作极好的改编。电影把普鲁斯有意自我审查的段落（俄罗斯的文化殖民，起义后萧瑟的波兰）进行了还原，结尾也抹除了原作的绝望与无奈。拒绝反思的伊扎贝拉，抹除了原作充满男性幻想的结尾，也让沃库尔斯基的爱情变得更加讽刺——他所爱的是个难以触及的玩偶，而这个玩偶把他视作另一个任己摆弄的玩偶。沃库尔斯基的悲剧在于他的善良，以及那颗属于波兰人的，浪漫主义的心；但自我牺牲换不来爱情，而这残酷的世界，纵然耶稣复生，再次把自己钉在十字架上，也无法唤醒沉睡的人。伊扎贝拉便是那些落寞贵族的象征，自己摧毁了祖国的根基与复兴的可能，却继续莺歌燕舞，陶醉于逝去的幻梦。
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