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Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but finds herself locked out when she comes home. This angers Carlo and he asks Anna to go away with him to Rome, where he plans to liquidate his business assets in order to have money for marriage. He quarrels with his partner and is implicated when his partner is found murdered. Although innocent, he is convicted and given a long sentence. Anna has a child and, finding it impossible to support her child , returns to Naples. The stepmother's conditions are that before she will agree to house the child, Anna must commit herself to a reformatory for unmarried mothers.
观众心声
0718D90
可以想象当年那些阿姨妈妈们会以一种怎样的热情蜂拥进电影院观看这些电影，催泪的剧情令人同情又令人尊敬的意大利妈妈这样的角色一定使她们获得了极大的身份认同感。。。在这几部影片中玛塔拉佐都使用了同一个演员班底不但男女主角相同就连配角们也基本就是这几个人。。。
曲折动人虐心的剧情可以把每个观影的妇女虐成泪人，绝对不夸张，室内情节剧能拍成这样也算是极致了，那个后妈坏的我都想上前扇她一巴掌
女主既高又壮，Matilde太坏了，enzo最终没能和ferrari在一起
Ombra mai fu，Napoli民歌。
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