Celestine, the chambermaid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man. But Mr Lanlaire is not a right choice: all the house is firmly controlled by Mme Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, ex-officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive, and does not share his mother's anti-republicans opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and also Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity ? Will sinister and inflexible Joseph let his views upon Celestine be ruined ? A quite disillusioned depiction of humanity.
Compassionate portraiture constrained within a cruel frame, i.e., Renoir in Hollywood
好莱坞的人物,故事,雷诺阿的摄影表述方法。看摄影就好。
妈的 看完了看豆瓣才发现不是布努埃尔那部 我说怎么只有玛丽苏剧情
“你不知道的是你已经改变了我的整个生活。当我在车站看到你时,我明白了自己的问题所在。突然间我明白了,生活就是生活。从现在开始,我将努力奋斗,而且我不在乎谁会受伤,只要不是我。我不会再做女仆了。不,我不会的。我将成为女主人,拥有自己的房子”。标准的霸道总裁爱上我式女性向爽文,3位男士都喜欢女主,为了爱情争风吃醋,最后干死了俩。几位主角的设计都非常脸谱化,玛丽苏的女主,莫名其妙爱上女仆的肾虚公子,背后必不可少的是那个要拆散他们的严厉母亲,还有想自立门户的小偷管家,以及玩世不恭的隔壁老头。整个就是一场闹剧,尤其结尾部分处理得相当之混乱,谈不上是个多好的故事
雷诺阿的女仆日记是彻底的荒诞,如一台飞速的舞台剧,直白粗暴,即使最后像看似好莱坞式无聊美满的爱情戏,也充满着滑稽荒唐,控制狂母亲、共和万岁与贵族之死、正义裹挟在自私欲望里…美丽的宝莲,野性欲望的美与角色十分契合,Hurd病弱高贵冷傲的乔治少爷太迷人了!
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