播放地址
情节摘要
A rich but lonely woman, Frances Austen, one day invites a boy from a nearby park to her apartment and offers to let him live there.
Robert Altman's sadly neglected film that, along with his later "Images", fits into the unconventional psycho-thriller mold. A bizarre story with Sandy Dennis as a spinster who takes in a handsome young man (Michael Burns) who is pretending to be mute. She imprisons the boy and supplies his every need, including a prostitute (Luana Anders), whom she goes out and brings home for Burns' pleasure.
观众心声
别问我为何执迷不悟的尝试，女人生来就多这么一点痴……从角色数量和装哑不语这两点上，本片可谓最不奥特曼的奥特曼作品。
这是什么破译名...
情感压抑可回溯至母辈的阴影，孤独终成心魔。青春的挽留与年老的焦虑是这场情欲的潜在动力，而在医院那场对于性的讨论更是其精神焦虑的切面；替男孩寻妓，何尝不是自身孤独的投射。但奥特曼的真正表达在后半部才昭然若揭，情欲变相成为阶级的隔阂，“性”本身也附上了一层政治涵义，其能够在社会底层随意互通（体现在主角之间没有语言交流），却终究无法跨越阶级的壁垒。剧作细节，女主多次锁门的动作透露出其控制欲与敏感，层层递进使得封窗成为绝境的爆发点，而房子亦是心理牢笼。
对人性的幽微之处把握得很精妙，整体呈现形式本身是超越故事内涵的，或者说它让故事内涵更上一层楼。sandy dennis在60末70初贡献了不少有意思的女性角色。
如果金基德、大岛渚、帕索里尼、布莱恩·德·帕尔玛、卡朋特来拍会是啥样？
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