Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
可看性比预想中要高。能帮助理解路易•德吕克的“上镜头性”。光学透镜与印象派代表作。
对自然景物(户外晾衣,湖面船舶)的诗意呈现,竟让我想起小津。
【影史回眸】029
路易·德吕克的印象派作品,一个为了爱情离家出走的女人四处流浪,荒原乱石将环境同人物悲剧相结合。
印象派代表,风景诗化,以此表达人物心情。
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