播放地址
剧情简述
Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
观众心声
伊朗电影还挺热衷于拍一个我们不敢碰的主题:出国。
政教合一的国家是这样的
第一次接触到伊朗电影，诺亚（萝雅）不再，却刻意隐掉了伊朗的街景，那么害怕让人了解你吗？除了近景还是近景。不知道社会背景、政治背景，只是觉得故事讲得还不错，身份。是呀，身份。你凭什么是你呀，好恐怖的一个话题，让人毛骨悚然。影片缺乏力度，好不容易坚持下来，算是支持下这个国家吧，这个信伊斯兰教的波斯。
情节老套 伊朗电影失去了剧情性还剩什么
反转的故事，质疑、逃离、友情、婚姻、自我存在，尤其惊讶的主题。怎样能够确认自己是自己？必须要我认为我是我吗？还是她们认为我是我也可以？是不是每一份独立的人生都能转瞬被代替，只要人想，顺水推舟，机器和人一起默认就能轻而易举地消去身份存在的痕迹？ 我有点明白女主人公和她难忍的信任。光在黑暗里闪闪发光，天中就像倒入了磷一样，人是为这点不易而活着的。这真的是个好故事，如果这个故事性别翻转，我一定没有这么落寞。
大家都好奇的 
剧情片周榜单