We are in the year 2001, a temporary ceasefire brings a much-needed break to a small war-torn village in Northern Nepal, bringing much joy among the residents. Prakash and Kiran, two young close friends, are also starting to feel the change in the air. Though they are divided by caste and social creed, they remain inseparable, and start raising a hen given to Prakash by his sister, with hopes to save money by selling her eggs. However, the hen goes missing. To find it, they embark on a journey, innocently unaware of the tyranny brought by the fragile ceasefire.
淳朴善良的民风、有趣可爱的小村生活在皇军与xxx的战争中支离破碎,后半部分从侧面极其冷静地展现了尼泊尔内战的苦难
常常慨叹于人的潜质或生活的可能与现实的逼仄之间的巨大落差。但对于传统社会文化与现代价值精神,也从来没有明确的对错分野。而如果任何一种价值不能真正的落实到人,而只是空谈理想,那势必是值得警醒的。一部不错的电影,倒是很喜欢Kiran,也许因为他更真实。Prakash好像过于完善了,毕竟只是孩子。
作为处女作已算靠谱的佳作。掌镜的美学自觉,颇有深意的梦境,并不强加意识形态价值判断(或试图平衡)的努力,面对政治暴力的真诚与勇气均可见。导演与制片人均为十年内战的亲历者、儿童见证者。其中一段尼共青年的舞蹈堪比忠字舞啊,加之毛像,China的阴魂不散也是值得深思。
拍得非常朴实也很原生态的影片,故事的切入口很小,而且讲述上也无什么花活,但却展现了一段真实的生活,将一段只存在于新闻中的生活,真切地展现于观众面前。电影的后半段其实非常的血腥与残酷。
镜头处理很细腻,有点风景纪录片的味道
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