A young woman who has been separated from her daughter works one odd job after another while battling a brain disorder whose name she does not know, but which deforms her perception of time and reality. At a group therapy session, she agrees to a mysterious deal with one of the fellow participants. Shot on a shoestring budget but in magnificent 16mm, and co-written with the magnetic lead actress, Ariella Mastroianni, Gazer gazes back on the masters of the paranoid thriller of the 70s and 80s.
还不错!虽然故事比较cliche,但是整体上胶片质感很好,完成度也蛮高。
看了一半实在看不下去
我个人大爱,很有些柯南伯格和大卫林奇早年作品的风格,喜欢那种神神叨叨像是重感冒还喝了二斤二锅头的感觉的可以看看,但是不可否认剧本还是欠打磨,过于追求视觉风格而忽略了剧情,不是戛纳应有的水准。
77戛纳导演双周,今年戛纳看的第一部片。比一些主竞赛片子好多了,氛围渲染不错,半开放性结局也很喜欢。看到了对惊魂记和闪灵的致敬。
制造了迷人的气质,但故事仍然不够,缺那一个爆点
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