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情节素描
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
观众心声
喜欢救猫那段，台词还挺不错的。
3.5；年轻一代的迷惘与彷徨，在放浪形骸醉生梦死夜夜笙歌中消磨着无处可诉的孤寂，拥抱的人换了一茬又一茬，然而渴求爱情的心思却从未消匿。他们各自以暗暗较量的厚颜与谎言，拼命抗拒着真爱的降临，然而他一样就看穿了她——“你离开这里就格格不入”，妄图用陌生的温度抵消自我意识的觉醒终究是失败的，于是她最终一言成谶。提及james dean有点刻意，但可见主旨的呈现。
？，。！—～—，
看mic为大家倾情上演一出名为“被忽悠拐了”的戏。被灌输一堆理论却缺乏支撑理论的思想，所谓知道许多道理却依然过不好这一生，这种年轻人哪个国家哪个时代都不会少
后面那一大段挺多余的。其实很像初中时候不同人家的孩子待在一起，无法避免的虚荣和不能接受的生存差异。良心和尊严是美好的，但当它们不得不沾染利益时，差异就立即显现出来了，男主和女二可以错很多次，但是盲目跟从的女主就只有一步步万劫不复。真的是教育味道很重= =。
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