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To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet.
观众心声
#观影# 导演想法可以，演员演的也行，可咋拍得这么没意思。女儿抑郁症？
这就是妈妈爱你的方式，不停的伤害再和好，伤害再和好……
撞车《涉过愤怒的海》，你的孩子不是你的孩子。
看的脖子难受，心里也难受，怕我老了会变成那样
那么，女儿就是为了不想再照顾她而寻短见了？
大家都在找它 
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