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airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930 he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.
观众心声
108.28
这个五十年后之世界里科技人的异化、冰冷的系统其实已经是反乌托邦故事的基石，但是本片无意反叛，而是顺从规则，炮制一出爱情喜剧，又将未来日常、死者复生、天空情怀、火星历险缝合一通，节奏混乱，逻辑莫名其妙——just imagine anyway。爱情部分刻画得挺轻浮俗气，前半段对未来衣食住行的展示非常不自然，仿佛一部产品宣传片。作为早期有声片，仍保留着默片字幕卡，也有多处突出音效、舞台化、为歌舞而歌舞的桥段，观感还是比较笨拙，酒会的两段表演最为精彩
飞行器徘徊的巨型未来都市，与赫胥黎的反乌托邦小说《美丽新世界》类似的世界观，复活死人，星际旅行，登陆火星，与外星生命接触，未能免俗的加上一段罗曼蒂克，两个小时不到的时间电影囊括了相当多的科幻元素，对于这一部八十年前的电影来说，的确是惊世之作。
一股反乌托邦的味道
科技未来世界+时间旅行+太空探索+歌舞片+棍棒喜剧，好莱坞式大杂糅？最后20min看得太煎熬了，带火星人回地球、女二号套路“状告”、父子相遇！！受不了了，毫无逻辑可言，太有b级色彩了，和后来的《月球猫女》、《外星女王》……有得一拼
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