播放地址
故事浓缩
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
观众心声
#IFFR2023.2.2 土耳其小清新。一个长相不太土耳其被误认为外国人的女孩，被一个家境良好隐瞒自己有家室（妻子热衷健身）的年轻男人搭讪；室友兼房东是一个热衷于星座、为不好的新闻而焦虑、对社会感到疏离的女孩，遇到毕业正在找工作、买彩票的男生。四人都各自为生活痛哭，而随后开展两段淡淡的情缘，穿插找工作、申请签证、一点对社会的控诉，高潮是四人在公寓碰头，一些秘密揭开，也终止了两段情缘。最后两个女孩在天台上看星空，生活似乎又回到“丧”的主题。公寓画面搭配很有心，衣服、床单、墙壁、挂画都是深深浅浅的蓝。全世界中产阶级年轻人的丧似乎都有相通（矫情？）之处，这是一个把背景从土耳其换到任何一个国家都成立的故事。故事很轻盈，现场经常有笑声，但深度上稍欠缺，或许是现场观众评分不高的原因。
叙事视角选得好，代入感强。
《好像一切都很糟糕》的节奏感印象很深，关键转折前都有足够铺垫，观感顺畅。
配乐和氛围感是最大亮点，剧情中规中矩。适合安静时慢慢看。
嘉宾化学反应好，梗多不尬。剪辑节奏可以再利落一点。
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