Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences.
Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.
太吓人了,在楼梯审讯段落即将结束的时候我发现我竟然在尽可能的相信、跟随阿布拉希米的逻辑,无论这种逻辑我是否认为其是正确的。可能权威就是这样体现的,权力就是这样在每个人心里暗中运作的
掌握权的逐步沦丧确实精彩 导演越发越绝望的限于失控的言语 身体暴力乃至纯粹的否定之中
比直接拿着摄像机闯入审讯现场更多议。以电影(影像)去审判,以赤裸的身躯面对“审讯”。讨论恶的面貌,扮演恶人的心理,其实是受害者的反击。真正善的人又如何无师自通,在体系里的“恶”也可能是被“说服”而成的(《搭车游戏》)。 重现真实,超出真实。
舞台 镜子 正常人
#IDF2024#不纯粹地记录一场“表演”。失控被完整呈现,实则是对一段饱含痛苦的经历进行重演。迫使参与者想起那些悲痛,是否是残酷的、具有伤害性的?似乎上升到道德伦理层面,但本片仅是浅尝辄止,也没有什么深入地勘探。另外翻译不太给力,好多语句不通顺看得头大。
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